The Weaver (2024) 1h 30′ opera
Steam Engine (2022) 25’ for soprano and baroque orchestra – written for Olga Heikkilä and the Finnish Baroque Orchestra
The Harvest (2021) 10’ for chamber orchestra – written for the Klangforum Wien, Vienna
Black cloud, under ground (2019) 10’ for orchestra – commissioned by the Finnish Radio Symphony Orchestra → published score
Beach (2017) 10′ for string orchestra
Hypermarket and hypercommodity (2015) 17′ concerto for piano, shopping items and chamber orchestra – written for Emil Holmström and the Lapland Chamber Orchestra
Weary insects in the wind (2021) 20′ concerto for accordion and wind ensemble – commissioned by Janne Valkeajoki for the Tage der Neuen Musik Bamberg and Der Gelbe Klang ensemble, München
Supermarket aisles on a security camera (2013) 20’ cantata for choir and large ensemble – commissioned by the Helsinki Chamber Choir and Uusinta Ensemble
Wenn wir schweigen (2011) 8′ for ensemble – commissioned by the Musica Nova Helsinki Festival for the Nyky Ensemble
Erinnerung (2010) 13′ for piano, electronics and ensemble – commissioned by the Time of Music Festival for defunensemble
Branch (2022) 8’ for flute and guitar – commissioned by Duo Hav, Malmö
Steam Engine (2022) 25’ version for soprano, recorder, violin, violoncello and harpsichord – commissioned by Olga Heikkilä
Everyday etudes No. 3: fireplace (2020) 8’ for cello, firewood and electronics – commissioned by the Hetta Music Days for Anssi Karttunen and John Storgårds
Oil rig (2020) 15’ for grand piano, two performers and electronics – commissioned by the Alter Face Ensemble → published score
Bark (2019) 15′ for woodwind quintet – written for the Lapland chamber orchestra → published score
Coal plant (2016) 12′ for quintet and electronics – commissioned by the Time of Music Festival for Ensemble Schwerpunkt, Hannover
Everyday etudes No. 1: garden (2015) 8’ for clarinet or saxophone, gardening tools and electronics – commissioned by the Kaustinen Chamber Music Week, written for Heikki Nikula and Petri Kumela
Animal attributes (2014) 8’ for two amplified violins – commissioned by Antti Tikkanen and Minna Pensola
Vanitas (2012) 9’ for flute, violin & piano – commissioned by Sofia Kayaya for Theater Aveny, Copenhagen
New work (2025) for accordion, commissioned by Manca Dornik
Last drop of rain (2022) 7’ for piano or harpsichord – commissioned by Yumi Suehiro, Ensemble Mise-En, New York
Benzene (2019) 6’ for violin, video and electronics – commissioned by Eriikka Maalismaa for the Our Festival and Flow Festival → published score
All clouds are not data clouds (2018) 8’ for flute and electronics – written for Kaisa Kortelainen and the Tampere biennale
Krampfen (2018) 6’ for accordion – written for Janne Valkeajoki and the Tage der Neuen Musik Bamberg
Everyday etudes No. 2: wash (2016) 5′ for guitar, cosmetic products and electronics – written for Jyrki Myllärinen
Traeumerei (2016) 6’ for cello and electronics – written for Markus Hohti, Libero Mureddu and the Klang Festival Copenhagen
Vanishing point (2013) 5’ for piano – written for Risto-Matti Marin → published score
The Weaver (2024) 1h 30′ opera
Steam Engine (2022) 25’ monodrama for soprano and baroque orchestra, also a version for small baroque ensemble – written for Olga Heikkilä and the Finnish Baroque Orchestra
Supermarket aisles on a security camera (2013) 20’ cantata for choir and large ensemble – commissioned by the Helsinki Chamber Choir and Uusinta Ensemble
Songs (2012) 12′ song cycle for baritone or soprano and piano – written for Waltteri Torikka and Ville Matvejeff
Everyday etudes No. 3: fireplace (2020) 8’ for cello, firewood and electronics – commissioned by the Hetta Music Days for Anssi Karttunen and John Storgårds
Everyday etudes No. 2: wash (2016) 5′ for guitar, cosmetic products and electronics – written for Jyrki Myllärinen
Everyday etudes No. 1: garden (2015) 8’ for clarinet or saxophone, gardening tools and electronics – commissioned by the Kaustinen Chamber Music Week, written for Heikki Nikula and Petri Kumela
Asphalt and algae (2016) 5′ sound installation – written for the Tampere Biennale
White as winter’s threads (2013) 8′ sound installation for disklavier and electronics – co-commissioned by the Time of Music Festival, Gaudeamus Muziekweek, Utrecht and the Royaumont Festival, Val d’Oise
Donemus Publishing
Rijswijkseplein 786
2516 The Hague
The Netherlands
→ catalogue of works at donemus
info@donemus.nl
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