Works

Stage

The Weaver (2024) 1h 30min  music theatre

Steam Engine (2022) 25’  monodrama for soprano and baroque orchestra, written for Olga Heikkilä and the Finnish Baroque Orchestra

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Orchestra

The Harvest (2021) 10’ for chamber orchestra, written for the Klangforum Wien

Black cloud, under ground (2019) 10’ for orchestra, commissioned by the Finnish Radio Symphony Orchestra → published score

Hammer, hack and heap (2017)  15’  for construction tools, orchestra and electronics

Beach (2017)  10′  for string orchestra

Hypermarket and hypercommodity (2015) 17′ concerto for piano, shopping items and chamber orchestra

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Ensemble

Weary insects in the wind (2021) 25′ concerto for accordion and wind ensemble, written for Janne Valkeajoki and der/gelbe/klang (München)

Supermarket aisles on a security camera (2013) 20’ cantata for choir and large ensemble, commissioned by the Helsinki chamber choir and Uusinta ensemble

Wenn wir schweigen (2011) 8′ for ensemble, commissioned by the Musica Nova Helsinki Festival

Erinnerung (2010) 13′ for piano, electronics and ensemble, commissioned by the Time of Music Festival for defunensemble

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Chamber

New work (2023) 10’ for Ensemble Cornucopia

New work (2022) 8’ for Hav (Malmö)

Steam Engine (2022) 25’ version for soprano, recorder, violin, violoncello and harpsichord

Everyday etudes No. 4: fireplace (2020) 8’ for cello, firewood and electronics, commissioned by the Hetta Music Days for Anssi Karttunen and John Storgårds

Oil rig (2020) 15’ for grand piano, two performers and electronics, commissioned by the Alter Face Ensemble published score

Bark (2019) 15′ for woodwind quintet, written for the Lapland Chamber Orchestra published score

Coal power station (2016) 12′ for quintet and electronics, commissioned by the Time of Music Festival for Ensemble Schwerpunkt (Hannover)

Everyday etudes No. 1: garden (2015) 8’ for clarinet or saxophone, gardening tools and electronics, commissioned by the Kaustinen Chamber Music Week, written for Heikki Nikula and Petri Kumela

Animal attributes (2014) 8’ for two amplified violins, commissioned by Antti Tikkanen and Minna Pensola

Vanitas (2012) 9’ for flute, violin & piano

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Solo

Seashell (2022) 7’ for piano or harpsichord, commissioned by Yumi Suehiro, Ensemble Mise-en (New York City)

Everyday etudes No. 3: benzene (2019) 6’ for violin, video and electronics published score

All clouds are not data clouds (2018) 8’ for flute and electronics, written for Kaisa Kortelainen and the Tampere biennale

Krampfen (2018) 6’ for accordion, written for Janne Valkeajoki and the Tage der Neuen Musik Bamberg

Everyday etudes No. 2: bathroom (2016) 5′ for guitar, cosmetic products and electronics, written for Jyrki Myllärinen

Traeumerei (2016) 6’ for cello and electronics, written for Markus Hohti and the Klang Festival 

Vanishing point (2013) 5’ for piano, written for Risto-Matti Marin → published score

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Vocal

The Weaver (2024) 1h 30min  music theatre

Steam Engine (2022) 25’ monodrama for soprano and baroque orchestra, also a version for small baroque ensemble, written for Olga Heikkilä and the Finnish Baroque Orchestra

Supermarket aisles on a security camera (2013) 20’ cantata for choir and large ensemble, commissioned by the Helsinki chamber choir and Uusinta ensemble

Songs (2012) 12′ song cycle for baritone or soprano and piano, written for Waltteri Torikka and Ville Matvejeff

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Performance

Everyday etudes No. 4: fireplace (2020) 8’ for cello, firewood and electronics, commissioned by the Hetta Music Days for Anssi Karttunen and John Storgårds

Everyday etudes No. 3: benzene (2019) 6’ for violin, video and electronics → published score

Everyday etudes No. 2: bathroom (2016) 5′ for guitar, cosmetic products and electronics, written for Jyrki Myllärinen

Everyday etudes No. 1: garden (2015) 8’ for clarinet or saxophone, gardening tools and electronics, commissioned by the Kaustinen Chamber Music Week, written for Heikki Nikula and Petri Kumela

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Installation

Everyday etudes No. 3: benzene (2019) 6’ video installation

Asphalt and algae (2016) 5′ sound installation, written for the Tampere Biennale

White as winter’s threads (2013) 8′ sound installation for disklavier and electronics, co-commissioned by the Time of Music Festival, Gaudeamus Muziekweek (Utrecht) and the Royaumont Festival (Val d’Oise)

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SCORES AND PERFORMANCE MATERIALS

Donemus Publishing

Stichting Donemus Beheer

Rijswijkseplein 786

2516 The Hague

The Netherlands

donemus publishing website

catalogue of works at donemus

info@donemus.nl

+31702500786