Works

Stage

Steam engine (2022) 25’ monodrama for soprano and baroque orchestra, commissioned by Olga Heikkilä and the Finnish Baroque Orchestra

Bleak (2020) 55′ for piano, violin, electronics and video, together with video artist Sigurdur Gudjonsson, written for Tinna Thorsteinsdottir and the New Music October Festival

 

Orchestra

Black cloud, under ground (2019) 10’ for orchestra, see published score, commissioned by the Finnish Radio Symphony Orchestra

Hammer and hack (2017) 15′ for construction tools, electronics and orchestra

Beach (2017) 10′ for string orchestra

Hypermarket and hypercommodity (2015) 17′ concerto for piano, packaging materials and chamber orchestra, see published score, commissioned by Emil Holmström and the Lapland Chamber Orchestra

 

Ensemble

Everyday etudes No. 5: forest (2021) 25′ concerto for accordion, objects and large ensemble, commissioned by Janne Valkeajoki for Der Gelbe Klang (Munich)

Supermarket aisles on a security camera (2013) 20’ cantata for choir and large ensemble, see published score, commissioned by the Helsinki Chamber Choir and Uusinta Ensemble for the Klang Helsinki Concert Series

Wenn wir schweigen (2011) 8′ for ensemble, see published score, commissioned by the Musica Nova Helsinki Festival

Erinnerung (2010) 13′ for piano, electronics and ensemble, see published score, commissioned by the Time of Music Festival for Defunensemble

 

Chamber

Everyday etudes No. 4: fireplace (2021) 8’ for cello, firewood and electronics, commissioned by the Hetta Music Days for Anssi Karttunen and John Storgårds

Oil rig (2020) 15’ for grand piano, two performers and electronics, commissioned by the Alter Face Ensemble (Spain)

Bark (2019) 15′ for woodwind quintet, see published score, written for the Lapland Chamber Orchestra

Coal power station (2016) 12′ for quintet and electronics, commissioned by the Time of Music Festival for Ensemble Schwerpunkt (Hannover)

Everyday etudes No. 1: garden (2015) 8’ for clarinet or saxophone, gardening tools and electronics, see published score, commissioned by the Kaustinen Chamber Music Week

Animal attributes (2014) 8’ for two amplified violins, commissioned by Antti Tikkanen and Minna Pensola

Vanitas (2012) 9’ for flute, violin and piano, see published score

 

Solo

New work (2022)  7’  for piano, commissioned by Yumi Suehiro, Ensemble Mise-en (New York)

Everyday etudes No. 3: benzene (2019)  6’  for violin, video and electronics, see published score, commissioned by Eriikka Maalismaa for the Our Festival and Flow Festival

All clouds are not data clouds (2018)  8’  for flute and electronics

Krampfen (2018)  6’  for accordion, see published score, written for Janne Valkeajoki and the Tage der Neuen Musik Bamberg

Everyday etudes No. 2: bathroom (2016)  5′  for guitar, cosmetic products and electronics

Traeumerei (2016)  6’  for cello and electronics, see published score, written for Markus Hohti and the Klang Festival (Copenhagen)

Vanishing point (2013)  5’  for piano, see published score

 

Vocal

Steam engine (2022) 25’ monodrama for soprano and baroque orchestra, commissioned by Olga Heikkilä and the Finnish Baroque Orchestra

Supermarket aisles on a security camera (2013) 20’ cantata for choir and large ensemble, see published score, commissioned by the Helsinki Chamber Choir and Uusinta Ensemble for the Klang Helsinki Concert Series

Songs (2012) 10’ song cycle for baritone or soprano, and piano, commissioned by Waltteri Torikka 

 

Performance

Everyday etudes No. 5: forest (2021) 25′ concerto for accordion, objects and large ensemble, commissioned by Janne Valkeajoki for Der Gelbe Klang (Munich)

Everyday etudes No. 4: fireplace (2021) 8’ for cello, firewood and electronics, commissioned by the Hetta Music Days for Anssi Karttunen and John Storgårds

Everyday etudes No. 3: benzene (2019)  6’  for violin, video and electronics, see published score, commissioned by Eriikka Maalismaa for the Our Festival and Flow Festival

Everyday etudes No. 2: bathroom (2016)  5′  for guitar, cosmetic products and electronics

Everyday etudes No. 1: garden (2015) 8’ for clarinet or saxophone, gardening tools and electronics, see published score, commissioned by the Kaustinen Chamber Music Week

 

Installation

Kingdom of things (2018)  17’  video installation, with Liina Kuittinen, commissioned by the Kaustinen Chamber Music Week

Asphalt and algae (2016)  5′  sound installation, see published performance materials, commissioned by the Tampere Biennale

White as winters threads (2013)  8′  for disklavier and electronics, see published performance materials, co-commissioned by the Time of Music Festival, Gaudeamus Muziekweek and the Royaumont Festival

 

Scores and performance materials

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