Stage
The Weaver (2024) 1h 30min music theatre
Steam Engine (2022) 25’ monodrama for soprano and baroque orchestra, written for Olga Heikkilä and the Finnish Baroque Orchestra
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Orchestra
The Harvest (2021) 10’ for chamber orchestra, written for the Klangforum Wien
Black cloud, under ground (2019) 10’ for orchestra, commissioned by the Finnish Radio Symphony Orchestra → published score
Hammer, hack and heap (2017) 15’ for construction tools, orchestra and electronics
Beach (2017) 10′ for string orchestra
Hypermarket and hypercommodity (2015) 17′ concerto for piano, shopping items and chamber orchestra
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Ensemble
Weary insects in the wind (2021) 25′ concerto for accordion and wind ensemble, written for Janne Valkeajoki and der/gelbe/klang (München)
Supermarket aisles on a security camera (2013) 20’ cantata for choir and large ensemble, commissioned by the Helsinki chamber choir and Uusinta ensemble
Wenn wir schweigen (2011) 8′ for ensemble, commissioned by the Musica Nova Helsinki Festival
Erinnerung (2010) 13′ for piano, electronics and ensemble, commissioned by the Time of Music Festival for defunensemble
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Chamber
New work (2023) 10’ for Ensemble Cornucopia
New work (2022) 8’ for Hav (Malmö)
Steam Engine (2022) 25’ version for soprano, recorder, violin, violoncello and harpsichord
Everyday etudes No. 4: fireplace (2020) 8’ for cello, firewood and electronics, commissioned by the Hetta Music Days for Anssi Karttunen and John Storgårds
Oil rig (2020) 15’ for grand piano, two performers and electronics, commissioned by the Alter Face Ensemble → published score
Bark (2019) 15′ for woodwind quintet, written for the Lapland Chamber Orchestra → published score
Coal power station (2016) 12′ for quintet and electronics, commissioned by the Time of Music Festival for Ensemble Schwerpunkt (Hannover)
Everyday etudes No. 1: garden (2015) 8’ for clarinet or saxophone, gardening tools and electronics, commissioned by the Kaustinen Chamber Music Week, written for Heikki Nikula and Petri Kumela
Animal attributes (2014) 8’ for two amplified violins, commissioned by Antti Tikkanen and Minna Pensola
Vanitas (2012) 9’ for flute, violin & piano
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Solo
Seashell (2022) 7’ for piano or harpsichord, commissioned by Yumi Suehiro, Ensemble Mise-en (New York City)
Everyday etudes No. 3: benzene (2019) 6’ for violin, video and electronics → published score
All clouds are not data clouds (2018) 8’ for flute and electronics, written for Kaisa Kortelainen and the Tampere biennale
Krampfen (2018) 6’ for accordion, written for Janne Valkeajoki and the Tage der Neuen Musik Bamberg
Everyday etudes No. 2: bathroom (2016) 5′ for guitar, cosmetic products and electronics, written for Jyrki Myllärinen
Traeumerei (2016) 6’ for cello and electronics, written for Markus Hohti and the Klang Festival
Vanishing point (2013) 5’ for piano, written for Risto-Matti Marin → published score
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Vocal
The Weaver (2024) 1h 30min music theatre
Steam Engine (2022) 25’ monodrama for soprano and baroque orchestra, also a version for small baroque ensemble, written for Olga Heikkilä and the Finnish Baroque Orchestra
Supermarket aisles on a security camera (2013) 20’ cantata for choir and large ensemble, commissioned by the Helsinki chamber choir and Uusinta ensemble
Songs (2012) 12′ song cycle for baritone or soprano and piano, written for Waltteri Torikka and Ville Matvejeff
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Performance
Everyday etudes No. 4: fireplace (2020) 8’ for cello, firewood and electronics, commissioned by the Hetta Music Days for Anssi Karttunen and John Storgårds
Everyday etudes No. 3: benzene (2019) 6’ for violin, video and electronics → published score
Everyday etudes No. 2: bathroom (2016) 5′ for guitar, cosmetic products and electronics, written for Jyrki Myllärinen
Everyday etudes No. 1: garden (2015) 8’ for clarinet or saxophone, gardening tools and electronics, commissioned by the Kaustinen Chamber Music Week, written for Heikki Nikula and Petri Kumela
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Installation
Everyday etudes No. 3: benzene (2019) 6’ video installation
Asphalt and algae (2016) 5′ sound installation, written for the Tampere Biennale
White as winter’s threads (2013) 8′ sound installation for disklavier and electronics, co-commissioned by the Time of Music Festival, Gaudeamus Muziekweek (Utrecht) and the Royaumont Festival (Val d’Oise)
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SCORES AND PERFORMANCE MATERIALS
Donemus Publishing
Stichting Donemus Beheer
Rijswijkseplein 786
2516 The Hague
The Netherlands
→ catalogue of works at donemus
info@donemus.nl
+31702500786